- Main Page
- Information on the Institution
- General Description of the Institution
- Address of İzmir University of Economics
- Academic Authorities
- Academic Calendar
- Recognition of Prior Learning
- Recognition of Study Abroad
- List of Programs Offered
- General Admission Requirements
- General Registration Procedures
- ECTS Credit Allocation
- Grading
- Arrangements for Academic Guidance
- Internationalization
- Institutional ECTS Coordinator
- Departmental Erasmus Coordinators
- Degree Programs
- Fashion and Textile Design
- Qualification Awarded
- Level of Qualification
- Specific Admission Requirements
- Qualification Requirements and Regulations
- Recognition of Prior Learning
- Profile of the Program
- Program Outcomes
- Course & Program Outcomes Matrix
- Occupational Profiles of Graduates
- Access to Further Studies
- Program Structure
- Course Structure Diagram with Credits
- Exam Regulations & Assessment & Grading
- Graduation Requirements
- Mode of Study
- Program Director (or Equivalent)
- Evaluation Questionnaires
- Courses
- General Information For Students
- About İzmir
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- Career Guidance Center
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- Practical Information for Exchange Students
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- Diploma Supplement
- Erasmus Policy Statement
- National Qualifications
- Bologna Commission
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COURSE INTRODUCTION AND APPLICATION INFORMATION
mt.fadf.ieu.edu.tr
| Course Name | |
| Code | Semester | Theory (hour/week) | Application/Lab (hour/week) | Local Credits | ECTS |
|---|---|---|---|---|---|
| Spring |
| Prerequisites | None | |||||
| Course Language | ||||||
| Course Type | Required | |||||
| Course Level | - | |||||
| Mode of Delivery | - | |||||
| Teaching Methods and Techniques of the Course | DiscussionGroup WorkCritiqueJury | |||||
| Course Coordinator | ||||||
| Course Lecturer(s) | ||||||
| Assistant(s) | ||||||
| Course Objectives | |
| Learning Outcomes | The students who succeeded in this course;
|
| Course Description |
|
| Core Courses | X |
| Major Area Courses | ||
| Supportive Courses | ||
| Media and Managment Skills Courses | ||
| Transferable Skill Courses |
WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES
| Week | Subjects | Required Materials |
| 1 | Introduction to studio rules and course content. Threading chain stitch and overclock machines | Course Notes |
| 2 | Design in Context. Trends, Brief and Sketchbook Definition. Smoking I (Hand sewing) | Steven Faerm, Fashion Design Course, Thamesn & Hudson, 2011; Caroline Tatham & Julian Seaman, Fashion Design Drawing Course, Thames & Hudsons, 2006; Richard Sorger & Jenny Udale, Moda Tasarımının Temelleri, Akademik Temeller Dizisi: 10, Literatür, 2013; Colette Wolff, The Art Of Fabric Manipulating, KP Publications, 1996; Judy Brittain, Enciklopedija Rocnih Del, Drzavna Zalozba Slovenija, 1988 |
| 3 | Concept Research & Sketches; Collage. Smoking II (Hand sewing) | Margie Dobson& Becky Parkinson, Fashion Sketch Book, 1996; Caroline Tatham & Julian Seaman, Fashion Design Drawing Course, Thames & Hudsons, 2006; Colette Wolff, The Art Of Fabric Manipulating, KP Publications, 1996; Judy Brittain, Enciklopedija Rocnih Del, Drzavna Zalozba Slovenija, 1988 |
| 4 | Concept Research & Sketches; Usage of the Tracing Paper. Shirring I | Bina Abling, Fashion Sketchbook, Fairchild Books, New York, 2012; Colette Wolff, The Art Of Fabric Manipulating, KP Publications, 1996; Ruth Singer, Fabric Manipulation, 150 Creative Sewing Techniques, D&C Publications, 2013 |
| 5 | Design Development; Juxtapose. Shirring II | Caroline Tatham & Julian Seaman, Fashion Design Drawing Course, Thames & Hudsons, 2006; Colette Wolff, The Art Of Fabric Manipulating, KP Publications, 1996; Ruth Singer, Fabric Manipulation, 150 Creative Sewing Techniques, D&C Publications, 2013 |
| 6 | Design Development; Composition and Scale. Pleating I | Steven Faerm, Fashion Design Course, Thamesn & Hudson, 2011; Sue Jenky Jones, Fashion Design, Porfolio, Laurence King, 2011; Paul Jackson, Folding Techniques For Designers, From Sheet to Form, Laurence King Publishing, United Kingdom, 2011; Colette Wolff, The Art Of Fabric Manipulating, KP Publications, 1996 |
| 7 | Design Development; Color Palette & Textured Surface Design. Pleating II | John Gage, Colour and Meaning, Thames & Hudson, London, 2006; Leatrice Eiseman, Pantone Guide to Communicating with color, How Books, Ohio, 2000; Paul Jackson, Folding Techniques For Designers, From Sheet to Form, Laurence King Publishing, United Kingdom, 2011; Colette Wolff, The Art Of Fabric Manipulating, KP Publications, 1996 |
| 8 | Sketchbook Development. Tucking I | Sue Jenky Jones, Fashion Design, Porfolio, Laurence King, 2011; Margie Dobson& Becky Parkinson, Fashion Sketch Book, 1996; Alison Smith, Dikiş Teknikleri, Tuva Yayıncılık, İstanbul, 2010; Colette Wolff, The Art Of Fabric Manipulating, KP Publications, 1996 |
| 9 | MIDTERM | |
| 10 | Final Design Development. Tucking II | Jacqueline McAssey & Clare Buckley, Stil Yaratmak, Moda Tasarım Temelleri 08, Literatür, 2013; Alison Smith, Dikiş Teknikleri, Tuva Yayıncılık, İstanbul, 2010; Colette Wolff, The Art Of Fabric Manipulating, KP Publications, 1996 |
| 11 | Final Design Development I. Cording I | Sue Jenky Jones, Fashion Design, Porfolio, Laurence King, 2011; Jacqueline McAssey & Clare Buckley, Stil Yaratmak, Moda Tasarım Temelleri 08, Literatür, 2013; Alison Smith, Dikiş Teknikleri, Tuva Yayıncılık, İstanbul, 2010; Colette Wolff, The Art Of Fabric Manipulating, KP Publications, 1996 |
| 12 | Final Design Visualization on the Dummy I. Cording II | Alison Smith, Dikiş Teknikleri, Tuva Yayıncılık, İstanbul, 2010; Colette Wolff, The Art Of Fabric Manipulating, KP Publications, 1996 |
| 13 | Final Design visualization on the dummy II. Piping I | Alison Smith, Dikiş Teknikleri, Tuva Yayıncılık, İstanbul, 2010; Colette Wolff, The Art Of Fabric Manipulating, KP Publications, 1996 |
| 14 | Final Design Presentation Board Development. Piping II | Alison Smith, Dikiş Teknikleri, Tuva Yayıncılık, İstanbul, 2010; Colette Wolff, The Art Of Fabric Manipulating, KP Publications, 1996 |
| 15 | Patchwork; Sewing Practice Final Project | Linda Seward, The Complete Book of Patchworking, Quilting & Applique, Octopus Publishing, Toppan, China, 2009; Regina Sipaviciute, Aplikacijos Pagrindai, ARX Baltica, Lithuania, 2008 |
| 16 | Review of the Final Project |
| Course Notes/Textbooks | Colette Wolff, (1996) The Art of Manipulating Fabric, Krause Publications Aldrich, W.,(2004) “Metric pattern cutting”, Wiley Blackwell. Joseph –Armstrong, H.,(2005), “Pattern making for fashion design” , Prentice Hall. Kim, I., Uh, M.,(2002), “Apparel making in fashion design”, Fairchild Publications. AmadenCrawford, C., (2006), “A guide to fashion sewing”, Fairchild Publications. Shaeffer, C.(2001),“Couture sewing techniques”, Taunten Press. MacIntyre, L.(1998), “Easy guide to sewing pants”, Taunton Press, Judy Brittain, (1988), Enciklopedija Rocnıh Del, Narodna in Univerzitetna Knjiznica Regina Sipaviciute, (2008), Aplikacijos Pagrindai, ARX Baltıca, |
| Suggested Readings/Materials | www.firstview.com www.wgsn.com www.wwd.com www.fashion.about.com www.hintmag.com |
EVALUATION SYSTEM
| Semester Activities | Number | Weigthing |
| Participation | 15 | 10 |
| Laboratory / Application | ||
| Field Work | ||
| Quizzes / Studio Critiques | ||
| Portfolio | ||
| Homework / Assignments | 6 | 24 |
| Presentation / Jury | ||
| Project | ||
| Seminar / Workshop | ||
| Oral Exam | ||
| Midterm | 1 | 12 |
| Final Exam | 1 | 30 |
| Total |
| Weighting of Semester Activities on the Final Grade | 80 | |
| Weighting of End-of-Semester Activities on the Final Grade | 20 | |
| Total |
ECTS / WORKLOAD TABLE
| Semester Activities | Number | Duration (Hours) | Workload |
|---|---|---|---|
| Course Hours (Including exam week: 16 x total hours) | 16 | 7 | 112 |
| Laboratory / Application Hours (Including exam week: 16 x total hours) | 16 | ||
| Study Hours Out of Class | |||
| Field Work | |||
| Quizzes / Studio Critiques | |||
| Portfolio | |||
| Homework / Assignments | 6 | 1 | |
| Presentation / Jury | |||
| Project | |||
| Seminar / Workshop | |||
| Oral Exam | |||
| Midterms | 1 | 1 | |
| Final Exams | 1 | 2 | |
| Total | 121 |
COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP
| # | Program Competencies/Outcomes | * Contribution Level | ||||
1 | 2 | 3 | 4 | 5 | ||
| 1 | To be able to independently develop and design a collection. | X | ||||
| 2 | To be able to apply industrial requirements, knowledge of material & usage and know-how knowledge in the creation of high quality fashion products. | X | ||||
| 3 | To have a research oriented awareness of design, and being able to do design research individually. | X | ||||
| 4 | To be able to use a foreign language at a good and advanced level. | X | ||||
| 5 | To develop entrepreneurship- and managerial skills for a future professional practice. | X | ||||
| 6 | To be able to follow, observe and analyze the news issues, changes and trends in contemporary design and art in such a way that they can be integrated into design practice. | X | ||||
| 7 | To have an ability to use digital information and communication technologies at a level that is adequate to the discipline of fashion design. | X | ||||
| 8 | To recognize, analyze and integrate within their practice the particular local and regional needs and developments of their profession. | X | ||||
| 9 | To develop an ongoing analytical and professional approach to academic and design research. | X | ||||
| 10 | To be able to recognize the need and importance of a personal lifelong learning attitude towards their chosen area of interest. | X | ||||
| 11 | To be able to understand, interpret and apply theoretical knowledge in fashion design. | X | ||||
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest